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SLVision Studio and Kit Hire
Studios
Cameras
Lenses
Grip
Lighting
Sound
Vision
Crew
Grade/Edit
Location
Hire Info
0
0
Studios
Cameras
Lenses
Grip
Lighting
Sound
Vision
Crew
Grade/Edit
Location
Hire Info
Equipment Sony G 70-200mm f4 Zoom Lens
Sony 70-200 G.jpg Image 1 of
Sony 70-200 G.jpg
Sony 70-200 G.jpg

Sony G 70-200mm f4 Zoom Lens

£28.00

f4
Auto/ Manual Focus
High resolution lens (noticeably sharper than Canon L-Series)


Daily rate: £28

Quantity:
Add To Cart

f4
Auto/ Manual Focus
High resolution lens (noticeably sharper than Canon L-Series)


Daily rate: £28

f4
Auto/ Manual Focus
High resolution lens (noticeably sharper than Canon L-Series)


Daily rate: £28

  • The Sony 70-200mm G lens works well in conjunction with the 24-70mm to give you a good range. It’s sharp, it’s stabilised and it’s good for 4K. As a member of the Sony G lens range, it produces clean, crisp high-quality images.

    Don’t be put off by the f4 aperture, these are very sensitive cameras and with a large chip you would rarely want a depth of field that is shorter than you can get with an f4 lens. The obsession with wide aperture lenses dates back to film days, when we were having to deal with very insensitive materials, and having a wide maximum aperture would determine whether you could shoot at all in certain situations.

    The wider the aperture, the more difficult it is to design the lens, and the more expensive it is as a result. A wide aperture lens is always a compromise and a lot of the f1.4/f1.5/f2 lenses suffer from being a bit woolly around the edges when wide-open. For optimum performance f5.6 is the best stop to shoot at. As with all these lenses, they are predominantly designed for autofocus, and therefore are not ideal if you want to pull focus or for use with a follow focus, although possible.

  • Full frame 70-200mm G Lens

    In addition to an ideal zoom range for nature, sports, and other photography that requires a bit more “reach” that a mid-range zoom provides, this lens offers outstanding corner-to-corner sharpness from 70mm to 200mm in a compact, lightweight unit that is a perfect match for compact full-frame E-mount bodies like the α7 series. Being a G Lens it can also produce smooth, creamy background bokeh.

  • LENS SPECIFICATIONS

    MOUNT

    Sony E-mount

    FORMAT

    35mm full frame

    FOCAL-LENGTH (MM)

    70-200mm

    35MM EQUIVALENT FOCAL-LENGTH (APS-C)

    105-300mm

    LENS GROUPS / ELEMENTS

    15/21

    ANGLE OF VIEW (35MM)

    34°-12°

    ANGLE OF VIEW (APS-C)

    22°-8°

    MAXIMUM APERTURE (F)

    4

    MINIMUM APERTURE (F)

    22

    APERTURE BLADES

    9

    CIRCULAR APERTURE

    Yes

    MINIMUM FOCUS DISTANCE

    1-1.5m (AF) / 1-1.35m (MF) (3.28-4.93ft (AF) /3.28-4.43ft (MF))

    MAXIMUM MAGNIFICATION RATIO (X)

    0.13x

    FILTER DIAMETER (MM)

    72mm

    IMAGE STABILIZATION (STEADYSHOT)

    Optical SteadyShot

    SIZE & WEIGHT

    DIMENSIONS (W X H X D)

    80 x 175mm (3-1/4 x 7in.)

    WEIGHT

    840g (29.7oz.) (Without tripod mount)

    FOOTNOTES

    *

    “35mm equivalent focal-length (APS-C)” and “Angle of View (APS-C)” are with interchangeable-lens digital camera incorporating APS-C type image sensors.

    WHAT’S IN THE BOX

    Lens hood (ALC-SH133: round shape, bayonet type)

    Lens front cap

    Lens rear cap

    Case

SLVision

70-74 Stewarts Road, London, SW8 4DE
hire@slvision.co.uk
+44 (0) 20 7720 6464

 

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©2023 SLVision 70-74 Stewarts Road, London, SW8 4DE tel. +44 (0) 20 7720 6464   hire@slvision.co.uk Prices are for guidance only and may vary.

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